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LOUD SAID NELLY - BLOG RELOCATION








BLOG HAS MOVED: 



Dear all! <3

I have relocated my blog to a more permanent and content specific space under the domain name 


 social media: @loudsaidnelly 

You can find me here: NEW BLOG URL

Head over to the new blog which has similar content on Fashion, Art, Issues, Ethical Thinking and Positive change! 

Stay tuned for exciting projects to come! 

Nelly <3 









FASHION REVOLUTION . W H O M A D E Y O U R C L O T H E S?


       FASHION REVOLUTION DAY          

W H O  M A D E  Y O U R   C L O T H E S


Fashion Revolution is now in it's second year; a now to be annual worldwide event in over 70 countries which encourages all forms of fashion campaign and activism to change the injustice in the production line and show solidarity with the people at the bottom of the fashion chain.

‘On 24 April 2013, 1133 people died in the Rana Plaza catastrophe in Dhaka, Bangladesh. A further 2500 were injured. They were killed while working for familiar fashion brands in one of the many ‘accidents’ that plague the garment industry’ www.fashionrevolution.org

There are events held worldwide and throughout London, This year I teamed up with some other campaigners to raise awareness and encourage shoppers to be curious about ‘who made your clothes?’  

By asking consumers, designers, brands, and all those who care to ask a simple question “Who Made My Clothes?” Fashion Revolution offers a ‘change in perspective that will lead to a deeper understanding’


One of the many pioneering charities to show support for this campaign are ‘TRAID’ and it was in the Shepherds Bush London store window that I created a the quilt as a live installation on Fashion Revolution day. 


Being a fashion textiles student at the London College of Fashion it was the perfect time to call in for some backup which really bought the quilt to life! 

I met with the lovely Orsola De Castro co-founder of Fashion Revolution day and owner of sustainable brand From Somewhere and decided to host the stitch in as one of the many creative campaigns on the day by people dedicated to change. 

















Last year to mark the first anniversary I took to Carnaby St with other students and campaigners to march and campaign- once again asking 'who made my clothes?' This received great press and was covered by the guardian, evening standard and various fair trade blogs and sites.  





This year I decided I wanted to use my skills in textiles and fashion and create a visual impact which would ideally connect with people and interact in a unified effort to create a piece of art which would inspire people to find out more. I was so enchanted and inspired by the way that this connected to so many people and people really want to make a difference. The process of the quilt is displayed below,  and each piece of the quilt has a different touch added by contributors so look out for messages and hidden stitching! 









Talented team crocheting pieces for the quilt, Thankyou Josephine Cowell & Jacob Patterson for knitting away making letters, question marks and joining squares.






A big Thankyou to A- One Fabrics who donated off cuts to the project 

The way it worked was that shoppers chose a pre-printed square and attached it to the quilt in a place of their choice, the idea was that the process of stitching would mean that the quilt passed through multiple hands throughout the day and would result in being produced in a unified fashion, much like how we wanted to show solidarity and protest on the anniversary of this tragic day. 


A huge thank you to every passer-by on the street, shopper, and customer of Traid who came to find out more! Your squares, stitches and messages on the quilt were invaluable to the development of the quilt and the strength of the solidarity message. Here are some pictures of some of the shoppers who got involved in asking 'who made my clothes' 
























At the end of a long exciting day of sewing, stitching and cutting we took the quilt down to The Cube Gallery in Shoreditch which was organised by the social entrepreneur Marianne Caroline who had the brilliant idea of a Fashion Revolution day cut out in which people cut out their labels to question just who is cut out in the fashion process. You can read more about it here: FRD CUT OUT and on her blog post here.


The quilt hanging as part of the installation in The Cube  http://thecubelondon.com








Here we created a grid of labels in which people could interact with the exhibition and add a label.... 

                          THE CLOTHES MAP
 Just what happens when you begin to visualise where you clothes travel? Well we began to find out with this map system in which people could pin their labels to the country location it was made. This interactive approach provided really shocking and by the end of the evening we'd gathered from places all over the globe. 
The pile of labels began to grow as people kept on cutting out....

THE WALL








I want to say the biggest thank you to:
-       Alice Bodgener for being my screen printing studio fairy godmother 
-       Orsola De Castro
-       The white cube gallery
-       Traid
-       Marianne Hughes
-       Peckham print studio
-       A one fabrics
-       Knitting dream team: Jacob Patterson and Josephine Cowell
-       Erika braccini
Chiara Tommedipisa and Margherita Grassi chief label cutters! <3


-   Every customer, shopper, and person who contributed to the quilt or got involved and curious throughout the day!







KAZURI BEAD FACTORY


       KAZURI BEAD FACTORY          



'KAZURI' means small and beautiful in swahili  

Follow the story @  KAZURI online - 

At the moment I am busy working hard on my final collection as I am graduating from London College of Fashion this July, I am collaborating with a womenswear designer and knitwear designer. We are all dedicated to making the collection as sustainable as possible and in doing so I'm excited to document some of the amazing artisans we will be working with. I am beyond happy that I am able to combine my ethical beliefs surrounding fashion and design to create a collective collaboration of craft which treasures design elements from around the world.

I will be updating my blog with different artisan stories and research that is directed at and surrounds the empowerment of craft and income to communities.


A VISIT TO the Kazuri bead factory in KENYA a few years back was something which inspired my interest and dedication to source ethically and explore ways in which to do this. Being in this work environment and watching the craft process from start to finish and the delicacy of such craft was fascinating. A sustainable investment in valued skill such as this showed me just how much impact a steady income can have on people which then spreads outward into a whole community.
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THE KAZURI MISSION:

'To provide and sustain employment opportunities for disadvantaged members of Kenyan society'


  •  Kazuri produces over 5 million beads a year
  •  Employing over 300 women - mostly single mothers
  • A member of the WFTO world fair trade organisation. 
  • EST. 1975 





'As every piece of jewellery is handmade, every one is unique. Indeed, many pieces take on the quirks and trademarks of the individual people who shape the beads, paint them or string them, giving them soul as well as beauty. '

This is what I loved about the Kazuri factory, it embodied everything I love about craftsmanship and the intricacy of each design reflects the person and respects the craftsmanship. 


One of the most important aspects of being a designer to me is responsibly sourcing materials and supporting growing industries from around the world. I believe that when we do this we are making a stand against capitalism not only in fashion but also in human kind.  I hope that by investigating this in my final collection I can go on to research further countries and communities. It is the story that inspires me, the idea of keeping and building human relationships, through the craft and the unity of humanity. I have worked with some amazing established organizations to source components of the collection; one of which being designing my accessories and textiles using the beads from the Kazuri Bead factory.


I hope you enjoy the post and I can't wait to share the developments of the collection including the beads with you! 





















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